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It's been two years since this project kicked off and, despite the uncertainty that looms over this 2020, our last episode of Bloomers is out now, bringing this series of short films to a happy end.

The picture above was taken in the summer of 2018 at Walt Whitman's Birthplace on Long Island, a location that set Bloomers in motion, as this was our first stop researching the history of the poet.

It was in February of this year, a few weeks before lockdown, that our team paid a visit to the poet's grave in Camden, New Jersey. In retrospective, this visit became--in the editing process--key to the imagery Whitman had used in the poem central to our series: "Live Oak, with Moss." The results of which appear in episode IV.

But what connects our project to Whitman's work transcends our limited experience of life, or our fears of death. We, too, celebrate nature, and through the bodies and stories of the men in our cast, we establish ways to achieve that.

We hope you dig where this journey has taken us.

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Episode VII featuring TEO



"WHO includes diversity and is Nature,

Who is the amplitude of the earth, and the coarseness and sexuality of the earth, and the great charity of the earth, and

the equilibrium also..."


This is how Walt Whitman begins his "Song of the Universe": Kosmos, a universe embodied in the practice and life of TEO, a yogi/healer from upstate New York. In Episode VII, TEO exalts us to free ourselves "in whatever way" and leading by example, he shows us how revolutionary it can be to commune with nature in the nude. "There’s nothing about our human bodies and our human forms that can’t be celebrated," he affirms.


For more information on TEO and his holistic approach to life and purpose, please visit: https://matteoundici.com/

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The latest episode of our on-demand series of short films BLOOMERS is streaming now featuring George Tynan Crowley, our Whitman-look-alike.


In Episode VI: REDUX, George reunites with the spirit of a lost loved one after proclaiming the first cluster of verses from Walt Whitman's "Live Oak with Moss" where the poet sings about "burning for his love whom I love."


This episode honors those lost during the AIDS crisis and is a tribute to Larry Kramer.



 

George Tynan Crowley is a writer/actor-producer. He has acted at many theatres in the US, including Florida Studio Theatre (the man in HEISENBERG, Freud in FREUD’S LAST SESSION, and Oscar Wilde in GROSS INDECENCY, among others), The Studio Theatre in DC and Philadelphia’s Wilma Theatre (Oscar Wilde in Stoppard’s THE INVENTION OF LOVE), American Shalespeare Theatre (where he assisted Zoe Caldwell in her tenure there as director), and Harlem Shakespeare (Prospero in THE TEMPEST) and HERE Arts Center and Lincoln Center in New York, etc., etc. Among other tv and film work, he wrote, directed, and played in the awards-winning film CLEOPATRA BACKSTAGE, and played the father in Esther Bell’s film GODASS. His plays (MOST HAPPY: A STORY OF ANNE BOLEYN, SEX WITH THE GODS, and IRISH: A FAMILY CHRONICLE) have all seen New York productions. He has taught acting through New York’s CUNY system and holds an MA in Performance Studies from Northwestern University as well as an MFA in Directing from Yale School of Drama. He currently lives in Harlem and is studying singing with the great Helen Gallagher.


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